五彩斑斓的白 Colorful White
Paper art installation, 2020
白色是茉莉花的颜色，同时也是最包容的，能吸附所有颜色。粉丸要在白色的空间中把总能带来高浓度愉悦的色彩绽放出来。
作品呈现一个微缩的彩色森林，植物结合粉丸标志性的各种图腾元素，在空间中各种场景灵活嫁接。流苏植被、彩色生灵、异形摆件及礼盒，它们生长在目所能及的区域，控制住你的注意力。
White is the color of jasmine flowers, but also the most inclusive which can absorb all colors. Chen Fenwan hopes to bring high concentration and cheerful color bloom in white space.
The work presents a miniature colored forest, where plants combine various totem elements that are the hallmark of the artist, flexibly grafting various scenes in the space. Tassels vegetation, colorful creatures, exotic objects and gift boxes grow as far as your eye can see, controlling your attention.
墙面的手掌们拥有难以把控的生长速度，附着在白墙之上列队欢迎。柔软的植被也与坚硬的墙面达成对话，绽放出新的立体感。
The palms have an uncontrollable growth rate, attached to the white wall to welcome. The soft vegetation is also in dialogue with the hard walls, blooming a new three-dimensional sense.
森林的感官体验将从一条满布高浓度色彩的半拱通道开启。
The sensory experience of the forest will be opened by a semi-arch channel filled with a high concentration of color.
半拱通道的一头是微缩彩色森林，是拨开列队欢迎的手掌们后的纯白空间。
At one end of the half-arched passageway is a miniature colored forest, a pure white space behind the parade of welcoming palms.
这些植物被粉丸称为彩色“生灵”，持续处于野生发芽状态，自带不规则五官，可可爱爱各有秉性。
These plants, which Fenwan called colorful "creatures", continue to germinate wildly and have irregular features, cute with different personalities.
纸张在这片奇遇植物中的表现力上，具有得天独厚的生命力与特征优势。它们吸纳高高低低的色彩，拥抱脱胎于想象力的概念形态，也包容万千材质。一种来自自然的循环对称性因此暗藏其中。
Paper is endowed with unique vitality and characteristic advantages in the expression of this exotic forest. They absorb thousand of colors, embrace conceptual forms born out of imagination, and a myriad of materials. A sense of cyclical symmetry from nature is thus hidden.
作品联名礼盒
丸工作室 x 一朵茉莉
Gift box with joint name.
作为彩植奇遇的一部分，一朵茉莉店内的玛德琳糕点礼盒也被粉丸包裹上粉色植被，搭配同款野生眼睛摆件，在专属展示窗内与顾客目目对视、自娱自乐，好奇心旺盛。
As part of the colorful adventures, the Madeleine Pastries gift box is also covered in pink vegetation by Fenwan, paired with the same style of wild eye ornament, which is displayed in an exclusive window to make eye contact with customers and amuse themselves with curiosity.
礼盒正面视觉效果由多层图案卡片组成，透过镂空剪纸设计展现眼部色彩层次，作为眼色的变化。
The visual effect on the front of the gift box is composed of multiple layers of patterned cards. Through the hollow-out paper-cut design.
礼盒内的图案卡片如同粉丸的微型作品，也搭配了展示架及贴纸，可以用于收藏和再次创作。
而眼状摆件的中心生长出一朵茉莉花，融入与作品相呼应的彩色流苏。而眼白部分的镜面纸，能倒映出它正在观察的事物。睫毛处“杂草”丛生，形色不可预知。
The patterned cards inside the gift box are like a miniature draw, which are also paired with display stands and stickers for display and re-creation.
A jasmine flower grows out of the center of the eye-shaped piece and is integrated with colorful tassels that echo the forest. The mirror paper of the eye, on the other hand, reflects what it is looking at.
纸张正如同自然生长的作物，在蔓延发散的线条中，留有斑驳摇曳的空白。它们使原本的空间更多几分生趣和不确定性，只不过纸艺是加入了人文温度的自然作物，其身上的痕迹脱胎于想象力。
我们对自然和生活的感知被记录在这些游走的线条中，从而生出斑斓色彩。我们总希望凭着感知自然生长，时而对生活热诚付出，时而也慢下找寻纯粹。
Paper is just like the crops of natural growth, in the spread of divergent lines, leaving a mottled swaying blank. They make the original space more interesting and uncertain. Paper art is a natural crop with humanistic trail, and derived from imagination.
Our perception of nature and life is recorded in these wandering lines, giving birth to colors.