不息 Infinite
Paper art installation, 2017
Fang Suo Commune,
Guangzhou, 2017
人如何能够接近无限？唯想象力或可触抵。
而“龙”正是人想象中关于无限的生物，可隐可现。
《不息》表达的语言关乎空间：展出需考虑与每个相遇空间的共生。龙的身躯在钢筋架构上的飞腾潜伏之间，仿如映照了人们看不见的那部分画面，它是艺术家对于“无限”在有限空间的想象。
Imagination brings people to infinite.
Dragons, hidden and visible, can refer to the word infinite in oriental imagination.
Infinite’s expression language is about space: among the exhibition it needs to consider the symbiosis with each encounter space. The body of the dragon among the steel structure between its flying latent, as if reflecting the invisible part of the view, it is the artist's imagination of infinite in the limited space.
作品中的光纹是龙在空间翻涌的痕迹，也是划开不同介质的门。The light pattern in the artwork is the trace of the dragon in the space, and it is also the door that cuts out different media.
《不息》是陈粉丸的代表作之一，其初衷正是创作一件无限的作品。无限可表万千变化的形态，亦或无穷的数量。她联想到点与线的组合，用一个个不同角度的龙骨节作为“点”，再用这些点去构成无限组合可能的“线”，拐弯转折且无限延长。
Infinite becomes one of Chen Fenwan’s magnum opus. At the beginning, she hopes to create a continuing work, which could be variable in shape or amount. It inspires her the relationship between point and line, that she creates the structure which combines nodes in different radian as the dragon’s keel. The form of the artwork is therefore unlimited and can perfectly adapt to each exhibition space.
每一节点各具有独立的数字标。
Marks of number are added to record, make each node unique.
只要时间足够多，这些节点也将被无限创作下去，在无限个空间中生出无限种面貌，是为生生不息，没有终结。
As long as there is enough time, these nodes will also be infinite creation, in the infinite space to give birth to a variety of forms, that it is for the endless and there is no end.
33 Contemporary Art Center , Guangzhou, 2019