“手”是粉丸创作中倾注了许多情感的一个符号，对于粉丸而言，“手”是爱的象征。回忆起童年时母亲温柔的抚摸和上下学时父亲缓缓挥动的双手，这些无声的动作总能带来关乎亲情的暖意。这些手势替代了直白的言语，传递出含蓄的关爱。正因如此，手成为了粉丸作品中反复出现的器官。在这个作品中，她将个人的情感记忆融入艺术，为观众开启一场童年时期的“手影游戏”。

        我们的目光总是聚焦在墙壁上映射出的动物剪影，而不是努力摆弄形成影子的手。手在光线的掩映下常常被忽视，尽管手指的每一个动作，手腕的每一次转动，都在努力塑造那些鲜活的动物形象。手影游戏中的手是隐形的，却不可或缺，粉丸对“手”这个元素的执着使得它们以鲜艳的姿态来到台前，影子则退居幕后，实现了原本关系的倒置。

        粉丸在这片剪纸景观中探索“模仿”的概念，她回溯自己儿时的成长经历和艺术创作的过程，发现这些历史与手影表演有着相似之处，最终指向“模仿”。具体来说，通过模仿父母的动作和行为来表达情感，通过自学和临摹作品来掌握技艺。在宏大的展厅中，她将她有关“模仿”的思考具象化，邀请观众在现场探索模仿的多层含义。当观众在现场自发地举起双手进行模仿，他们也成为作品的一部分。观众的手影与墙上的剪影重合的瞬间，童年的纯真与成熟的思考融为一体。

        模仿在人类演进和文明发展中有重要意义，模仿不单单是一种学习方法，也是连接过去与现在、传统与当代的纽带。在这个充满互动和想象的空间里，粉丸邀请观众重新审视自己的过往经验，思考模仿如何塑造了我们当今的认知和创造力。

        For Chen, "hands" are imbued with deep emotional significance. They symbolize love—recalling the gentleness of her mother’s caresses or the slow wave of her father’s farewell on the school run. These unspoken gestures conveyed a quiet warmth, substituting words with acts of affection. This sentimentality makes hands a recurring motif in Funmar’s work. In this installation, she channels personal memories into art, inviting audiences to relive the innocent pleasure of a shadow game from their childhood.

Our attention often draws on the shadows projected on walls rather than the hands forming them. In the interplay of light, hands remain hidden yet indispensable. Every finger movement and every wrist twist strives to create vivid shapes. In Chen’s piece, the hands step boldly into the spotlight, while their shadows retreat backstage—a deliberate inversion of their roles.

Within this paper-cut installation, Chen aims to discover the concept of “imitation.” By tracing her own childhood memories and artistic development, she identifies parallels between personal growth and shadowgraphy, culminating in the theme of imitation. For Chen, it encompasses learning emotions by emulating her parents' actions and refining skills through self-teaching and copying artworks. In the grand exhibition hall, Chen transforms her reflections on mimicry into tangible forms, inviting audiences to explore its multifaceted meanings. As viewers spontaneously raise their hands to imitate puppets’ shadows on the walls, they become part of the artwork. The moment their shadow aligns with the painted silhouettes is when childhood innocence merges with mature contemplation.

Mimicry holds profound significance in human evolution and cultural development. It is not merely a way of learning but also a bridge connecting the past with the present, tradition with modernity. Within this interactive and imaginative space, Chen inspires audiences to reexamine their experiences and consider how mimicry has shaped their understanding and creativity.