《心花怒放》

Flower in Heart Bloom

Installation, 2025

《爱羽流光》《亭亭风笺》

Feathers of Streaked Light
Breeze Through Grace

Installation, 2025

粉丸剪纸，为江南的春日剪出一场“流动的盛宴”

A Flowing Feast of Jiangnan Spring — Papercutting Poetry by Fenwan

陈粉丸受上海蟠龙天地之邀，以剪纸为媒，精心创作数件公共艺术装置，共同呈现第二届“江南风物季・玩纸篇”。

Invited by Panlong Tiandi in Shanghai, artist Chen Fenwan presents a series of site-specific paper-cut installations for the second season of Jiangnan Blooming: The Paper Chapter.

点击查看作品宣传片（视频来源：上海蟠龙天地）
Click it to watch the official promotional video (Video Credit: Panlong Tiandi Shanghai)

江南的风物，总在流转之中

In Jiangnan, everything flows —

流水淙淙，桥影横斜，亭台楼阁，轩榭廊舫。江南底色温婉柔和，水面涟漪轻漾、水流穿巷而过，正如古诗中“小桥流水人家”描绘的那般，江南水乡中那种人与自然的和谐共生之景，正是“爱的流动”的最好体现。

陈粉丸的全新装置作品，以“剪纸、粉色、情感、流动”等关键词为灵感，回应江南的诗意肌理，在蟠龙天地织就一场关于情感流动的视觉叙事。

剪纸，作为粉丸艺术创作的核心媒介，不仅是一种静态的工艺，更是一种动态的表达——它在时间的褶皱中兼收并蓄，延展至今。它承载的符号寓意，历经反复的拆解重塑后，在当代语境中生长出崭新的面貌与情感诠释。粉丸剪纸作品中线条的弯曲起伏也呈现出一种视觉的节奏与律动，呼应了江南古镇的“水村山郭”。这种流动，不仅体现在视觉形态上，更反映在创作过程中艺术家情感的自然流露。

Water trickles past stone bridges, pavilions cast shadows across rippling canals, corridors stretch between terraces and boats. This region’s charm lies not only in its gentle landscape but in the harmonious movement between people and nature — an embodiment of love in motion.

Chen Fenwan’s new public installations take root in this poetic atmosphere. Guided by themes of “paper-cutting, softness, emotion, and fluidity,” her artworks interweave personal sentiment with the cultural fabric of Jiangnan.

For Fenwan, papercutting is more than a traditional technique — it is a living, breathing medium. Beneath the still surface lies dynamic potential: folds of time, reconstructed symbols, and contemporary emotion. In her works, meandering lines and rhythmic patterns echo the flow of ancient water towns — a visual choreography of feeling and place. It is a movement not only seen but deeply felt.

《心花怒放》

粉丸为蟠龙水域贴上一幅鲜艳的大型粉色窗花，它作为视觉元点，以此为起始，散点图案沿着细长河道缓缓扩散、逐渐布满，沿着细长河道徐徐扩散、铺陈开来。它们与古朴的建筑、悠悠绿水相互映衬，为传统的江南水乡景致注入了当代艺术的鲜活气息。

剪纸元素随水波轻漾，寓意情感在人与人、内心与外界、过去与现在之间的流转与变换。水中的倒影与实体相映成趣，模糊了虚实的界限，正如爱的流动无形却真切。《心花怒放》邀请观众向水而行，静静聆听水流的声音，感受爱意浮动的幅度。

Flower in Heart Bloom

For her installation at the Panlong River, Chen Fenwan creates a vibrant, oversized pink paper-cut motif — a contemporary "window blossom" — and places it at the heart of the waterway. From this visual origin point, scattered patterns ripple outward, gradually drifting along the length of the narrow river. As they unfold, these paper-cut forms converse with the aged architecture and the gently flowing water, infusing Jiangnan’s classical scenery with the pulse of contemporary art.

Swaying gently with the river’s surface, the paper patterns become metaphors for emotional exchange — the ever-shifting currents between people, within the self, and across time. Their reflection in the water blurs the boundary between the real and the imagined, just as love moves invisibly, yet undeniably.

Flower in Heart Bloom invites visitors to walk along the river’s edge, to listen — not just to the water, but to the tender murmurs of feeling as they float and unfold.

《爱羽流光》

香花桥，建于元代1340年，它连接南北彼岸，见证了古往今来无数的相逢与离别。桥梁不仅是物理空间的纽带，也是情感流转的通道，在人们的记忆中交织出温度与归属。

桥侧两面，剪纸蓬勃生长，如彩色的气脉与经络，在桥上蟠根错节，蜿蜒流动，仿佛情感在交汇与分离间留下的印记。爱心之上，线条灵动缠绕，编织着有关“爱”的浪漫故事。飞鸟与爱心相互映衬，沿着桥身蔓延，化作无形的心意随风转动。

Feathers of Streaked Light

Built in 1340 during the Yuan Dynasty, Xianghua Bridge spans the water, linking north and south, bearing witness to countless encounters and farewells across the centuries. More than just a physical connector, a bridge becomes a conduit of emotion — a place where memories intertwine, imbued with warmth and belonging.

On both sides of the bridge, paper-cut forms flourish like colorful meridians and lifelines. They root and twist along the walkway, flowing in layered rhythms — as if echoing the emotional traces left behind by every crossing, every parting.

Atop a heart-shaped frame, vibrant lines coil and flutter, weaving romantic tales of love. Birds soar and loop alongside these hearts, climbing across the bridge in playful harmony, transforming unspoken feelings into silent signals that dance with the wind.

《亭亭风笺》

江南的亭阁，古有文人墨客的曲水流觞，今为游客观景的休憩之所，既可驻足于河边静听水语，又可倚栏闲坐、说东道西。有人在此相聚，有人在此告别，而风，会悄悄捕捉人们流溢的心迹，在耳畔低语呢喃。

在此，传统亭台规整的空间秩序被解构为情感的暂栖之所，色彩斑斓的剪纸风帘化作飘动的心绪，在亭中摇曳、回旋，萦绕于亭间的每一寸角落。

Breeze Through Grace

In Jiangnan, pavilions once hosted scholars drifting cups down winding streams; today, they offer travelers a place to rest, to pause by the river and listen to its murmur, or to lean on a railing in casual conversation. Some gather here, some part ways, while the wind quietly gathers the emotional traces left behind, whispering them back at one’s ear.

Here, the formal symmetry of a traditional pavilion is reimagined as a resting place for emotions. Vivid paper-cut wind screens flutter like drifting thoughts, swaying and circling through the space, infusing every corner of the pavilion with feeling.

粉色，是这件作品主要的情感基调。它是江南杏花烟雨的轻盈，也是温柔的展露和勇气的显现。

在蟠龙天地，粉丸的粉色剪纸贯穿始终，随水流转，随桥联结，随光变幻，随风摇曳，诉说着“流动的爱”——柔和、绵长、且无处不在。

Pink sets the emotional tone of this work — as light as mist over apricot blossoms, as tender as vulnerability, as bold as the courage to care.

Throughout Panlong Tiandi, Chen Fenwan’s pink paper cuts meander with the flowing water, stretch across bridges, shimmer in shifting light, and dance with the breeze — quietly unfolding a story of “love in motion”: gentle, enduring, and ever-present.